The thoughts you call your own were handed down without your permission, and mostly without your notice.
The Other Side of Seeing is a series of lenses and environments for thought rather than conclusions. Each inquiry begins with a crack: a question that, once asked, is difficult to un-ask.
Agreement is the least interesting thing a person can do with an idea.
This work asks something narrower and stranger: consider the thought, then watch what rises in you as you consider it.
You inherited property, perhaps. Or debt. A surname, a face, a set of genes or allergies.
You also inherited a perceptual apparatus or working model of what exists, what is possible, and where you sit inside it. It arrived before you could evaluate or challenge it.
Season One traces that inheritance to its edges and asks what remains when you set it down.
I make things and I ask questions. Before this I founded The Wrap Life, where head wraps helped women feel more beautiful, more confident, more connected. That work was about changing how a woman sees herself in the mirror. It was beautiful and foundational.
The Other Side of Seeing is an invitation to look in two directions at once: inward, at what you were handed to believe, and outward, at everything it lets you see or keeps you from seeing.
I have no method to sell and no outcome to promise. What I have is a persistent inability to accept that things are the way they are simply because they have been that way.
I work from various places around the world.
The goal is seeing, not agreement or persuasion.
If something here becomes difficult to unsee, the work is functioning as intended.
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